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A Witch Who Ran Out of Horses,
Inga gallery of contemporary art, Tel Aviv, 2011
At the heart of this exhibition is the violent evacuation of the Amona outpost in 2006. Moving beyond political narratives, the paintings confront the trauma of losing home, both personal and collective. Borrowing its title from a poem by Raquel Chalfi, the exhibition explores force as both destructive and transformative, inhabiting the threshold between order and chaos, where reality is unsettled and reshaped.
A Witch Who Ran Out of Horses,
Inga gallery of contemporary art, Tel Aviv, 2011
At the heart of this exhibition is the violent evacuation of the Israeli outpost of Amona in 2006. The paintings move beyond political narratives toward the trauma of the destruction of home, both personal and collective. They unsettle the relationship between victim and aggressor, revealing violence as both destructive and transformative. Inspired by a poem by Rachel Chalfi, the exhibition seeks the threshold between order and chaos, where reality itself can be reshaped.
A Witch Who Ran Out of Horses
Inga gallery of contemporary art, Tel Aviv, 2011
At the heart of this exhibition is the violent evacuation of the Israeli outpost of Amona in 2006. The paintings move beyond political narratives toward the trauma of the destruction of home, both personal and collective. They unsettle the relationship between victim and aggressor, revealing violence as both destructive and transformative. Inspired by a poem by Rachel Chalfi, the exhibition seeks the threshold between order and chaos, where reality itself can be reshaped.
Brunette | 2000-2001
Dynasty | 2000-2001
A Witch Who Ran Out of Horses,
Inga gallery of contemporary art, Tel Aviv, 2011
At the heart of this exhibition is the violent evacuation of the Israeli outpost of Amona in 2006. The paintings move beyond political narratives toward the trauma of the destruction of home, both personal and collective. They unsettle the relationship between victim and aggressor, revealing violence as both destructive and transformative. Inspired by a poem by Rachel Chalfi, the exhibition seeks the threshold between order and chaos, where reality itself can be reshaped.
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