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5 Artists Wondrous Worlds,
Helena Rubinstein, Pavilon of Contemporary Art, Tel Aviv, 2008-2009
Neta Harari Navon’s 18-panel painting reimagines the tradition of The Last Judgment, replacing divine judgment with human responsibility. Titled Judgment Day, it questions the notion of a single, predetermined verdict. In Judgment Day, Jesus is absent; there is no judge, no judgment, no one to decide who is righteous and who has sinned. Inspired by Renaissance masterpieces and mud festivals, the work explores the tension between imposed moral order and instinctive human freedom.
5 Artists Wondrous Worlds,
Helena Rubinstein, Pavilon of Contemporary Art, Tel Aviv, 2008
Curator: Varda Steinlauf
This series explores the moment when my body was experienced as a place to inhabit rather than an object detached from emotion and consciousness. Memory, feeling, and a lost sense of self emerge together, giving form to an inner state of vertigo. White gesso interrupts, conceals, and reveals, creating an aesthetic distance that softens trauma without diminishing its emotional force. The body gradually emerges as a place that can finally become home.
5 Artists Wondrous Worlds,
Helena Rubinstein, Pavilon of Contemporary Art, Tel Aviv, 2009
Curator: Varda Steinlauf
This series explores the moment when my body was experienced as a place to inhabit rather than an object detached from emotion and consciousness. Memory, feeling, and a lost sense of self emerge together, giving form to an inner state of vertigo. White gesso interrupts, conceals, and reveals, creating an aesthetic distance that softens trauma without diminishing its emotional force. The body gradually emerges as a place that can finally become home.
5 Artists Wondrous Worlds,
Helena Rubinstein, Pavilon of Contemporary Art, Tel Aviv, 2008-2009
Neta Harari Navon’s 18-panel painting reimagines the tradition of The Last Judgment, replacing divine judgment with human responsibility. Titled Judgment Day, it questions the notion of a single, predetermined verdict. In Judgment Day, Jesus is absent; there is no judge, no judgment, no one to decide who is righteous and who has sinned. Inspired by Renaissance masterpieces and mud festivals, the work explores the tension between imposed moral order and instinctive human freedom.
5 Artists Wondrous Worlds,
Helena Rubinstein, Pavilon of Contemporary Art, Tel Aviv, 2008
This series explores the moment when my body was experienced as a place to inhabit rather than an object detached from emotion and consciousness. Memory, feeling, and a lost sense of self emerge together, giving form to an inner state of vertigo. White gesso interrupts, conceals, and reveals, creating an aesthetic distance that softens trauma without diminishing its emotional force. The body gradually emerges as a place that can finally become home.
5 Artists Wondrous Worlds
Helena Rubinstein, Pavilon of Contemporary Art, Tel Aviv, 2009
Curator: Varda Steinlauf
This series explores the moment when my body was experienced as a place to inhabit rather than an object detached from emotion and consciousness. Memory, feeling, and a lost sense of self emerge together, giving form to an inner state of vertigo. White gesso interrupts, conceals, and reveals, creating an aesthetic distance that softens trauma without diminishing its emotional force. The body gradually emerges as a place that can finally become home.
Brunette | 2000-2001
Dynasty | 2000-2001
5 Artists Wondrous Worlds,
Helena Rubinstein, Pavilon of Contemporary Art, Tel Aviv, 2009
Curator: Varda Steinlauf
This series explores the moment when my body was experienced as a place to inhabit rather than an object detached from emotion and consciousness. Memory, feeling, and a lost sense of self emerge together, giving form to an inner state of vertigo. White gesso interrupts, conceals, and reveals, creating an aesthetic distance that softens trauma without diminishing its emotional force. The body gradually emerges as a place that can finally become home.
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